This album is radically different from the OPUS 1 in which was a combination of academic and electronic music. OPUS 2.0 has something more experimental, with a touch of new age, indie rock, trip-hop, accompanied by classical and alternative vocals, in which I used my voice for the first time. Each composition is a self-sufficient story, but at the same time, the entire album is permeated with a single line of narration about the inner transformation of modern man.